"I carved away everything that wasn't David."
--Michelangelo
Border town woman's quest for magical stuff like northern lights, sane men, and size 8 jeans.
Tuesday, December 28, 2010
Sunday, December 26, 2010
I Love this Quote
If you want to make an apple pie from scratch, you must first create the universe.
--Carl Sagan
--Carl Sagan
Wednesday, December 22, 2010
Thursday, December 16, 2010
Monday, December 13, 2010
Annabelle Redecorates
Monday, December 06, 2010
In No Particular Order
People I would not want to sit next to at a dinner party:
1. Victoria Beckham
2. Kathy Griffin
3. Sarah Palin
4. Mel Gibson
5. Meg Ryan
6. Dr. Phil
1. Victoria Beckham
2. Kathy Griffin
3. Sarah Palin
4. Mel Gibson
5. Meg Ryan
6. Dr. Phil
Monday, November 01, 2010
Wednesday, October 27, 2010
Tuesday, October 26, 2010
Sunday, October 24, 2010
Saturday, October 23, 2010
She has her quiet moments
Thursday, October 14, 2010
Saturday, October 09, 2010
Hello, My Name Is....

Actually, I'm not sure what my name is yet.
The Humane Society named me Honeysuckle.

I'm not so sure that's a good fit though.
For a few days I was Honey. But as of tomorrow my name will be Kit Kat, or Annabelle, or maybe something Wendy hasn't even thought of yet.
Whatever my name, I'm a nine week old playful, affectionate, loud-purring, adorable kitten. I love my new home and Wendy is thrilled to have me.
Thursday, October 07, 2010
Sunday, September 19, 2010
My Grandnephew!
Saturday, September 11, 2010
Voices of Spring
I'll admit that classical music doesn't mean as much to me as classic rock (and if 90% of you are honest, you'll admit it too). Sure, I know- and like- Beethoven's 9th, and the stuff that everyone knows. Holst: The Planets? Love it. But there are plenty of gaps in my music knowledge. For instance, I'd never heard Voices of Spring until exposed to it in Iceland by Viðar.
Viðar is a 65 year old man whose library contains leather-bound volumes of the Icelandic sagas. His musical preferences don't exactly run along the lines of AC/DC and Megadeth. So when we were driving through the Icelandic countryside, I asked what the hideous music we were listening to was called (I left out the hideous part). He said Voices of Spring in the quizzical way most of us would say "Stairway to Heaven". You know Stairway? Hello! Duh?!' He went on to explain that back then prepubescent boys with beautiful singing voices were castrated in order to preserve their voices at a mezzo-soprano. I'd heard of the practice of castrato before, so I was grossed out for a second time.
I did the best I could to tolerate Voices of Spring, because there are few things I love more than a day trip to a new place. Driving through Iceland was like winning the lottery. There were glaciers! Black mountains! Geyers! Icelandic horses! And... there was Voices of Spring.
I knew I was fortunate to have met such a nice guy on my first trip alone overseas. But Voices of Spring was killing me. Seriously. I did the best I could to not say anything. That is until the ball-free tenor (mezzo soprano, whatever) hit a high note that made the windows in Viðar's car shatter. The singer was like "Ah, ah, ah, ah AHHHHHHHHHHHHHHHHHHHHHH" and I lost it. I asked if he had any other music.
Frank Sinatra never sounded so good.
Viðar is a 65 year old man whose library contains leather-bound volumes of the Icelandic sagas. His musical preferences don't exactly run along the lines of AC/DC and Megadeth. So when we were driving through the Icelandic countryside, I asked what the hideous music we were listening to was called (I left out the hideous part). He said Voices of Spring in the quizzical way most of us would say "Stairway to Heaven". You know Stairway? Hello! Duh?!' He went on to explain that back then prepubescent boys with beautiful singing voices were castrated in order to preserve their voices at a mezzo-soprano. I'd heard of the practice of castrato before, so I was grossed out for a second time.
I did the best I could to tolerate Voices of Spring, because there are few things I love more than a day trip to a new place. Driving through Iceland was like winning the lottery. There were glaciers! Black mountains! Geyers! Icelandic horses! And... there was Voices of Spring.
I knew I was fortunate to have met such a nice guy on my first trip alone overseas. But Voices of Spring was killing me. Seriously. I did the best I could to not say anything. That is until the ball-free tenor (mezzo soprano, whatever) hit a high note that made the windows in Viðar's car shatter. The singer was like "Ah, ah, ah, ah AHHHHHHHHHHHHHHHHHHHHHH" and I lost it. I asked if he had any other music.
Frank Sinatra never sounded so good.
Tuesday, September 07, 2010
Saturday, September 04, 2010
Darkroom vs. Photoshop
I used to love spending time in the darkroom, making images magically appear before my eyes. I was so eager to get the whole process started that I often developed film (plastic reels not metal thank you) in my bathroom at home. I can still picture the 36 exposure strips of Tri-X hanging in my shower.
I've always been a big fan of photographers like Duane Michaels and Jerry Uelsman. While I appreciated the technical expertise of Ansel Adams and Ernst Haas, I favored the photographers who put a provocative spin on the ordinary. I gravitated toward this in my own photography. I spent many an hour burning, dodging, and combining negatives to bring forth my visions. The image below is one of a series I did in the early 80s. I was obsessed with swings as a metaphor for transendence, although this one is more about the nature of memories.

My photography teacher at ASU loved the series, but challenged me to do a powerful, 'straight-up' image of a swing- no darkroom magic. I went to a park the next day, and by that afternoon delivered my results. It was a wonderful feeling to grin smugly as he said "Wow! You really did it!" I'll have to dig up that photo. I know I have it somewhere.
Up until a few weeks ago I had never used Photoshop or any type of image editing software. Now that I'm learning it, Photoshop seems easier than the darkroom in some ways- but not most. I guess it will take time to master it. Here's some playing around I've done so far:

I posted an undoctored version of the pic below a while back. In this one I removed all the grey tones, which I think makes it look better.
I've always been a big fan of photographers like Duane Michaels and Jerry Uelsman. While I appreciated the technical expertise of Ansel Adams and Ernst Haas, I favored the photographers who put a provocative spin on the ordinary. I gravitated toward this in my own photography. I spent many an hour burning, dodging, and combining negatives to bring forth my visions. The image below is one of a series I did in the early 80s. I was obsessed with swings as a metaphor for transendence, although this one is more about the nature of memories.

My photography teacher at ASU loved the series, but challenged me to do a powerful, 'straight-up' image of a swing- no darkroom magic. I went to a park the next day, and by that afternoon delivered my results. It was a wonderful feeling to grin smugly as he said "Wow! You really did it!" I'll have to dig up that photo. I know I have it somewhere.
Up until a few weeks ago I had never used Photoshop or any type of image editing software. Now that I'm learning it, Photoshop seems easier than the darkroom in some ways- but not most. I guess it will take time to master it. Here's some playing around I've done so far:

I posted an undoctored version of the pic below a while back. In this one I removed all the grey tones, which I think makes it look better.
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